CLASS 1History and Introduction to Racial Capitalism
RESOURCES MENTIONED DURING CLASS
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Capitalism and Slavery, by Eric Williams
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Slavery helped finance the Industrial Revolution in England. Plantation owners, shipbuilders, and merchants connected with the slave trade accumulated vast fortunes that established banks and heavy industry in Europe and expanded the reach of capitalism worldwide. Eric Williams advanced these powerful ideas in Capitalism and Slavery, published in 1944. Years ahead of its time, his profound critique became the foundation for studies of imperialism and economic development. Binding an economic view of history with strong moral argument, Williams's study of the role of slavery in financing the Industrial Revolution refuted traditional ideas of economic and moral progress and firmly established the centrality of the African slave trade in European economic development. He also showed that mature industrial capitalism in turn helped destroy the slave system. Establishing the exploitation of commercial capitalism and its link to racial attitudes, Williams employed a historicist vision that set the tone for future studies.
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From the Congo to Harlem and back again, Johan Grimonprez’s kinetic, urgent documentary delivers the politics of decolonization in jazz form, replete with virtuosic archival riffs, historical text in the form of Blue Note album covers, and musical performances by jazz legends (Louis Armstrong, Dizzy Gillespie, Nina Simone) who in the ‘60s doubled as cultural ambassadors to Africa. Their roles as unknowing decoys in the CIA’s plot to assassinate Congo’s prime minister Patrice Lumumba threads through this deeply researched, densely textured tapestry — which scrambles the simplistic good guys/bad guys narrative, foregrounds powerful women behind the revolution (Simone, Abbey Lincoln, and activist/chief advisor to Lumumba, Andrée Blouin), and sounds a call to clear-eyed interrogation of Western powers’ murderous collusions in the guise of liberal values.
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Amílcar Cabral’s speech at the 1966 Tricontinental Conference in Havana, Cuba
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Since its first publication more than thirty years ago, Eurocentrism has become a classic of radical thought. Written by one of the world’s foremost political economists, this original and provocative essay takes on one of the great “ideological deformations” of our time: Eurocentrism. Rejecting the dominant Eurocentric view of world history, which narrowly and incorrectly posits a progression from the Greek and Roman classical world to Christian feudalism and the European capitalist system, Amin presents a sweeping reinterpretation that emphasizes the crucial historical role played by the Arab Islamic world. Throughout the work, Amin addresses a broad set of concerns, ranging from the ideological nature of scholastic metaphysics to the meanings and shortcomings of contemporary political Islam. This second edition contains a new introduction and concluding chapter, both of which make the author’s arguments even more compelling.
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A collection of essays about language and its constructive role in national culture, history, and identity, that advocates for linguistic decolonization.
CLASS 2Racial Capitalism as Framework and Intervention
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Titled after the battle cry of this heroic movement, “¡Comuna o Nada!,” Commune or Nothing! portrays an expanding network of communes pursuing the strategic goal of—not only overcoming the entire capitalist economy—but transcending the state formations upon which the capital system relies. The communal project in Venezuela has proven the viability of its model of all-round human emancipation as an alternative to the increasingly exploitative, destructive, and unsustainable capital system. For this reason, Commune or Nothing!, like the trailblazing movement it depicts, offers important lessons not only regarding the construction of socialism in Venezuela, but for socialist praxis worldwide.
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Marta Harnecker’s interviews with Hugo Chávez began soon after one of the most dramatic moments of Chávez’s presidency—the failed coup of April 2002, which ended with Chávez restored to power by a massive movement of protest and resistance. In the aftermath of the failed coup, Chávez talks to Harnecker about the formation of his political ideas, his aspirations for Venezuela, its domestic and international policies, problems of political organization, relations with social movements in other countries, and more, constantly relating these to concrete events and to strategies for change. The exchange between Harnecker and Chávez—sometimes reflective, sometimes anecdotal, always characterized by their passionate commitment to the struggles of the oppressed—brings to light the process of thought and action behind the public pronouncements and policies of state.
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Fruitvale Station is a powerful dramatization of the true story of Oscar Grant, a 22-year-old unarmed Black man who was fatally shot by a BART police officer on New Year's Eve 2008.
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CLASS 3